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Christian Krohg christian krohg 1852-1925
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Christian Krohg ane gaihede skarer brod 1879 bergens billedgalleri
se
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Christian Krohg i baljen 1889
statens museum for kunst
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Christian Krohg sovende mor ved sit barns vugge 1883
rasmus meyers samlinger, bergen
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Christian Krohg et nodskud se
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Christian Krohg fisker niels gaihedes middagslur. ca 1882
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Christian Krohg en mor fletter sin lille datters har 1888
se
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Christian Krohg et nodskud 1887
se
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Christian Krohg albertine i polislakarens vantrum 1877
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Christian Krohg Portrait of the Norwegian Painter Gerhard Munthe Christian Krohg: Portrait of the Norwegian Painter Gerhard Munthe. 1885. Oil painting.
cjr
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Christian Krohg I baljen. Probably 1889.
Oil on canvas.
cjr
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Christian Krohg Kone som skjarer brod Oil on canvas, 80x60 cm.
cjr
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Christian Krohg Trett Oil on canvas, 79,5x61 cm.
cjr
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Christian Krohg Christian Krohg Christian Krohg: Portrait of the Norwegian Painter Gerhard Munthe. 1885. Oil painting.
cyf
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Christian Krohg I baljen Year: Probably 1889.
Oil on canvas.
cyf
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Christian Krohg Trett Painted 1885.
Oil on canvas, 79,5x61 cm.
cyf
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Christian Krohg Albertine i politilagens ventevarelse Year painted: 1886-1887.
Oil on canvas.
TTD
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Christian Krohg Kampen for tilvarelsen Date 1889
TTD
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Christian Krohg Trett (Morgenstemning) Painted 1885.
Oil on canvas, 79,5x61 cm
TTD
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Christian Krohg Selfportrait of Christian Krohg Date 1912
TTD
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Christian Krohg
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1852-1925
Norwegian
Christian Krohg Gallery
Krohg was educated in Germany at the Baden School of Art in Karlsruhe under Hans Gude[1], and later worked in Paris from 1881 to 1882. Inspired by the thoughts of the realists he chose motives primarily from everyday life ?C often its darker or socially inferior sides. Particularly well known are his pictures of prostitutes, and his novel Albertine from 1886 is about this theme. The book caused a scandal when first published, and was confiscated by the police. Krogh??s powerful and straightforward style made him one of the leading figures in the transition from romanticism to naturalism, characteristic of Norwegian art in this period. Through his periodic residence at Skagen, where he arrived for the first time in 1879, he had great influence on Anna and Michael Ancher, and provided early support to Edvard Munch.
Krohg was a journalist in the Oslo newspaper Verdens Gang 1890-1910, where he wrote remarkable portrait interviews. Later he became a professor director at Statens Kunstakademi (The Norwegian Academy of Arts) 1909-1925.
He was married to Oda Krohg.
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